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Dhruv khanna

Dhruv khanna

Delhi, India

A story maker in morning who loved to fantasize with imagination holding a cup of expresso, A author in evening and a Poet in the witching hours.

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About the author

I have been weaving tales of fantasy and romance through my poetry for the past seven years. My words are raw, passionate, and unapologetically edgy. With a heart that beats for love and a mind that dreams in magic, I’m on a mission to create a book that will captivate readers and leave them spellbound. Get ready to dive into a world where love knows no bounds and dreams come to life. From the early age of my life, I have been fantasizing about a story that is diluted with love and romance, with some unexpected turns and an unbelievable end. Writing it with all the blood of my heart I have reached finishing my own first romantic-suspense story that will keep you interested till the last word.
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If The Lady Luck hits 500 pre-orders by Sunday 15 December 2024 noon UTC, then it will be pitched to 34 traditional publishers when the campaign ends. If The Lady Luck hits 250 pre-orders by Sunday 15 December 2024 noon UTC, then it will be pitched to 27 hybrid publishers when the campaign ends. If The Lady Luck hits 500 pre-orders by Sunday 15 December 2024 noon UTC, then it will be pitched to 76 publishers when the campaign ends.
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Publishizer is a crowdfunding literary agency. If 500 pre-orders is reached, then we pitch this proposal to traditional publishers. If not reached, then it gets pitched to non-traditional publishers.

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Update #5 - “The Lady Luck” – Are We Normalizing Manipulation in Romance? Sept. 23, 2024

Dear Reader's


I hope this message finds you well. After reading about the buzz surrounding “The Lady Luck,” I felt compelled to share some thoughts that I believe could ignite a meaningful conversation about the themes presented in this novel.
While the blend of romance, suspense, and intrigue is undoubtedly enticing, I can’t help but question the underlying message this story conveys. At its core, “The Lady Luck” seems to flirt dangerously with the idea that manipulation can be romantic. Here are a few points that warrant further exploration:

  1. Romanticizing Deception: The introduction of Alia as both a benefactor and a potential manipulator raises ethical questions. Are we really comfortable with the idea that love can be rooted in deception? The portrayal of Richard and Alia’s relationship risks glamorizing the very traits we should be wary of in real life. Should we be celebrating such dynamics, or is it time we critically assess what we deem romantic?
  2. Questionable Agency: Richard’s journey is heavily influenced by Alia’s presence, but how much agency does he truly have? The narrative seems to strip him of autonomy, suggesting that success is often intertwined with the whims of others. Is this a healthy representation of relationships? It opens the door to discussions about dependency versus genuine partnership.
  3. The Nature of Luck and Fate: The shocking twist may challenge our perceptions, but does it also reinforce harmful stereotypes about luck being a game of chance, often influenced by manipulation? In a world already grappling with themes of privilege and access, is this narrative choice a responsible one?

As we dive into this provocative narrative, I believe it’s crucial to examine not just the entertainment value but the potential implications on how we view relationships and power dynamics. “The Lady Luck” might be a bold step in romantic suspense, but we must ask ourselves: what message are we really sending?
I’d love to hear your thoughts on this and see if we can engage in a broader discussion around the ethical complexities of modern romance narratives.
Looking forward to your response!


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