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Dhruv khanna

Dhruv khanna

Delhi, India

A story maker in morning who loved to fantasize with imagination holding a cup of expresso, A author in evening and a Poet in the witching hours.

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About the author

I have been weaving tales of fantasy and romance through my poetry for the past seven years. My words are raw, passionate, and unapologetically edgy. With a heart that beats for love and a mind that dreams in magic, I’m on a mission to create a book that will captivate readers and leave them spellbound. Get ready to dive into a world where love knows no bounds and dreams come to life. From the early age of my life, I have been fantasizing about a story that is diluted with love and romance, with some unexpected turns and an unbelievable end. Writing it with all the blood of my heart I have reached finishing my own first romantic-suspense story that will keep you interested till the last word.
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If The Lady Luck hits 500 pre-orders by Sunday 15 December 2024 noon UTC, then it will be pitched to 34 traditional publishers when the campaign ends. If The Lady Luck hits 250 pre-orders by Sunday 15 December 2024 noon UTC, then it will be pitched to 27 hybrid publishers when the campaign ends. If The Lady Luck hits 500 pre-orders by Sunday 15 December 2024 noon UTC, then it will be pitched to 76 publishers when the campaign ends.
How it works ›

Publishizer is a crowdfunding literary agency. If 500 pre-orders is reached, then we pitch this proposal to traditional publishers. If not reached, then it gets pitched to non-traditional publishers.

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Update #6 - Unpacking “The Lady Luck” – The Controversy of Gender Dynamics in Romance Sept. 25, 2024

Dear Readers,


I hope this message finds you well. As discussions around “The Lady Luck” continue to unfold, another layer of controversy emerges, particularly concerning its portrayal of gender dynamics. This novel raises critical questions about the representation of men and women in romantic narratives that deserve our attention.


Stereotyping Gender Roles: Alia’s character embodies the archetype of the powerful woman, yet her manipulation risks reinforcing the stereotype of the “femme fatale.” Does this portrayal contribute to a reductive view of strong women, framing them as schemers rather than complex individuals? How does this influence our understanding of female empowerment in literature?


The Hero’s Journey Reimagined: Richard’s character often falls into the “damsel in distress” trope, despite being a male protagonist. His reliance on Alia for success subverts traditional gender roles, but does it also diminish his character’s agency? This dynamic prompts us to examine how male vulnerability is depicted and whether it perpetuates harmful notions about masculinity.


Power and Consent: The relationship’s foundation raises questions about consent, especially when power dynamics are so uneven. Is the narrative responsible in its treatment of consent, particularly when one character holds significant influence over the other’s life choices? We must consider how this reflects broader societal issues regarding power and control in romantic relationships.
As we explore the complexities within “The Lady Luck,” it’s vital to question how these gender dynamics shape our perceptions of love and power. While the novel may offer thrilling entertainment, we must ask ourselves: are we perpetuating outdated tropes or challenging them?


I’d love to hear your thoughts on this aspect and engage in a broader discussion about the representation of gender in modern romance narratives.


Looking forward to your responses!
Best,
Dhruv khanna
P.S. Don’t miss your chance to pre-order “The Lady Luck” and join this compelling conversation!
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